1.
For
century upon century, the “Human Emotional-Being” has been
conditioned or programmed through blind obedience “to emotionally
or psychologically or spiritually BECOME other than what is thinking
or feeling”. The common ground upon which all “Human” stories
are dramatized is “The Emotional Bias or Prejudice” born of
EMOTIONAL-DESIRE!
2.
The
very essence of the entire ego (which has divided itself into “the
Lower Emotional-Self” versus “the Higher Emotional-Self”) is
EMOTIONAL-DESIRE! The symbol of theater are the opposing masks
of: Comedy-(white) Mask & Tragedy-(Black) Mask, which actually is
the nature of the “Human Emotional-Being” or “Ego”. In most
movies, you will see the Black & White checker-board floor
pattern, which symbolizes the struggle between “the Black Lower
Emotional-Self” versus “the White Higher Emotional-Self”.
3.
No
matter what type of story you watch, they are all based upon the
exact same emotional struggle that inevitably brings about
destruction. We never study our emotional-selves. Instead, we are
merely driven to chase after our emotional desire “to become
greater or better” than one is. Just because it is necessary to
become better at a mechanical skill, craft or talent, the
Emotional-Being assumes that it is equally necessary “to
emotionally become better or greater” than one feels about
himself/herself. Because whenever one seeks any Emotional-Desire, it
is self-destructive because the Emotional-Being
is imagining “a truth” that does not exist. That “false truth”
is that “The Emotional-Me” can produce wholeness, happiness or
virtue. “Ego” ignorantly seeks to change itself into something
superior without, first, understanding itself (through directly
communing with its feelings).
4.
Dramatic
Theater exposes the multifarious ways that our Emotional-Being
expresses itself. Strip away the Emotional-Entity's “superficial
style”, and one can plainly see for oneself that they all operate
from the same ground of “Emotional Bias”. All of the characters
are chasing after their own emotional sense of superiority. It also
means that all of the characters are trying to escape from an
emotional state of being that haunts them. They chase after
emotional-pleasure and run away from anyone that can cause them any
emotional-pain. “Emotional-Bias” is the obsessive concentration
on emotional-pleasurable fulfillment and the suppression of
emotional-pain.
5.
These
theatrical shows are meant to keep Humanity forever encaged in the
emotional chaos of pursuing the impossibility of the “What Should
Be Happening” versus “What Is Actually Happening” – The
Ideal versus The
Fact . This is mental
brainwashing, through theatrical entertainment, influencing the
masses to blindly accept this emotional pattern of thinking (from
one generation to the next). The “What Should Be Happening”
versus “What Is Actually Happening” (The Ideal
versus The Fact) IS
OUR CONDITIONING, PROGRAMMING or BRAINWASHING! The “What Should Be”
is an artificial outside agency invented by our emotional-imagination
to give oneself a false sense of emotional security, certainty or
hope. We exist in a world of make-believe that dictates that its
world is the only world that really matters. Even if the maintenance
of this fake world of emotionalism is causing the ruination of the
real physical world (health, environment, etc.), our Emotional-Being
that is blind to its nature, is constantly sacrificing the physical
well-being to its emotional whimsical desires. That is clearly
displayed throughout all tales of dramatic theater.
6.
If
you truly want to really see the nature of your mind, then you can
begin with watching movies. There are two fundamentally different
ways to observe something. Either one views it superficially or
profoundly holistically. The superficial observation is partially
looking with bias. Because, one emotionally identifies oneself with
the characters that reflect back the viewer's personal emotional
desires. Such viewing is based on the limited bondage of emotional
“like” and “dislike”. Then the mind has made itself incapable
of SEEING THE WHOLE SELF AS 2 OPPOSING SIDES OF 1 EMOTIONAL-BEING. A
Conditioned Emotional-Being is limited to a fragmentary-seeing which
corrupts and distorts whatever is being observed, through emotionally
“liking” and “disliking” it.
7.
However,
the mind that realizes that there is something very wrong going on in
the Human World will begin to question “how it has been told to
respond”, in the emotional sense. As a child in the 1960's, I was
told to identify with the emotional label of a race, of a dogma
(calling itself “religion”), of an economic class division. I
started to wonder what would happen if I abandoned ALL
EMOTIONALLY-BASED IDEALISTIC GROUPS (on any level or from any
tradition). Would I not be free of all bias, which is
division/fragmentation? As a child, I sensed that I was afraid and
confused. That was the actuality of my state of being. Whenever I
told an adult, I was encouraged to ignore whatever I feel and to
chase after things that bring pleasure. But whenever I did that, I
found my circumstances even more dangerous and terrifying. Running
after emotional pleasures of living up to ideals was making matters
worse. Something was very wrong in our educational upbringing. A mind
must be free to look at itself without bias: neither telling oneself
that, “I must become higher or better than I emotionally am” or
telling oneself, that, “I must avoid what I emotionally am
thinking/feeling”. When there is this struggle then one cannot
clearly be in touch with the facts about oneself.
8.
So
whenever one watches a movie, pay attention to “how one is
emotionally responding” to the emotional part of the story. Be
aware of the egotistical part of the story, because that is your ego,
too. The object that any ego struggles after is irrelevant. It is the
understanding of “how the struggle begins” that reveals ones own
ego to itself as one views the movement of ego (which is the
Emotional-Being that is divided against itself and therefore against
other people around oneself). In the theatrical tales, notice that
the star of the show is centered around the emotional hurt that she
or he sustained early in their childhood. Out of that emotional
distress was born the (“What Should Be”) ideal of opposite.
Opposing “What Is Emotionally Happening” (the fact) with an ideal
is hypocrisy. One is, then, pretending to be (orderly) meanwhile
being “disorderly”. ORDER IS WHOLE UNTO ITSELF. “Disorder” is
constantly decomposing, degenerating or disintegrating through
emotional biased conceptualizations. “Disorder” is artificial; it
is make-believe pretending to be more real than anything else in
existence.
9.
Theater
dramatizes the egocentric process with the sneaky propaganda motive
of pretending to be the ruler of this entire world. The underlying
message is that the Human Emotional-Being of Make-Believe World IS
“God” IS “The Master” that utterly controls our lives from
birth until death. So that means that everyone is forbidden from
truly being in touch with your Whole Emotional Mind, because that
would mean the end of the Make-Believe World or the
Egotistical-World. It would be unprecedented for the
Egotistical-World to end, Holistically (without violence). In the
movies, the opposing characters seek to kill each other in order to
feel like the one left standing is “better” than the one who was
killed. One Make-Believer seeking to annihilate the other
Make-Believer is what they all are doing, either overtly or covertly.
10.
Then
one begins to realize the WHOLE STORY is that all of the characters
are emotionally afraid to see themselves as they are; so they all are
slaves to their “Self-Image” (which is based on the opposite of
what one really feels). If one feels weak, then the “Self-Image”
will project the opposite emotional expression of courage and
aggressive brutality so that it can pretend to itself that it has
changed itself from weakness to strength).
11.
The
real underlying story that fuels all theatrical tales is one thing:
CONTINUITY! It does not matter about the superficial style of any
story being told; emotional division seeks to maintain division. It
is the emotional content of any story that determines the outcome of
the events. It all begins when one emotionally desires to escape from
any state of mind that one “dislikes”. This is the very catalyst
that sparks the disorderly action of inventing an artificial
emotional-being – The Ego, which is its (false) “Self-Image”
born out of its emotional-imagination. It is this imagination that is
responsible for every problem that we face in our lives. Do you
understand that the emotional-mind can't create anything that can
take it beyond itself? How can one go beyond something that one does
not fully detect or see?
12.
Most
people are emotionally confused, lost and are desperately seeking a
meaning to their lives. Because, as a Divided Emotional-Being, ones
existence actually has NO meaning at all. An Artificial
Emotional-Being really does NOT exist; it's illusory. For if dividing
the Emotional-Being was a valid thing to do, it would be at peace
within itself, but instead, it is deeply disturbed (even while
pretending to be happy). So the theater opposite masks of the FROWN &
SMILE is an illusion of “Two Entities” (i.e., the “Villain”
and the “Hero”). In reality, out of its emotional-memory of
experience, the “Frown” conjures its opposite shadow called, the
“Hero”. It is though the “Villain” is the “Negative-Film”,
and the “Hero” is the “Positive-Photograph”. Therefore,
Theatrical Entertainment is an illusion. They are all
EMOTIONAL-MAGICIANS seeking to emotionally misdirect your mind into
remaining blind to itself by getting the viewers to choose an
emotional side to defend. Once the mind has chosen, it is biased,
fractured, BROKEN (and, hence BRAINWASHED).
13.
What's
the point of BRAINWASHING? It is to get the Emotional-Being to
shatter its wholeness, then it can be conquered, dominated and
controlled. Once there is bias, emotionally, there is no Love, Peace
or Sanity. Sane means healthy. Healthy means balance. Balance means
Order. Order means physical and mental stability. Mental stability
means being aware of the entire nature of The Emotional-Entity that
is “The Me” or “The Self” that emotionally divides itself
through its imagination that OPPOSES “What Is” (Actually
Feeling). That is why people talk backwards. When they feel anger or
hatred to you, when they speak, they say nice things to you (but
inside they harbor ill-will against you). This hypocrisy permeates
most of Humanity throughout the world. The “World of
Emotional-Pretense” egotistically seeks the Power To
Rule/Dominate/Control the lives of everyone around itself. Watch the
movies and see how characters in the story do that. Then, you shall
begin to realize that the stories in the movies are just a mirror
reflecting what is taking place in real life. After all, the mind
can't make up any emotional story that is outside of itself. ALL
STORIES ARE BORN OUT OF THE EGO!
14.
The
Ego is the Emotional-Being that struggles against itself (using its
imagination to deceive itself into thinking that it has succeeded in
escaping from its ugliness). But what makes the Emotional-Being ugly
is the very effort to run away from itself. Beauty that is deep and
not merely superficial is WHOLE. The moment the Emotional-Mind
escapes into a Make-Believe Idealistic Conformity, it is unwhole
(unholy), it is UGLY! It, then, is a MONSTER. Whenever you get email
messages inviting you to emotional join in the struggle between a
so-called “good & evil” emotional contest, BEWARE of
egotistical deception underfoot. These messages point out an
injustice in order to arouse emotional outrage in you. Then you are
expected to choose a side to emotionally attach to, and then join in
the battle with a promise of bringing about a beneficial change. This
is a hoax masquerading as salvation through emotional opposition
(condemnation, criticism, blaming or shaming), which ultimately leads
to physical destruction on some level.
15.
Politics
is nothing but EMOTIONAL THEATRICS aimed at the Emotional-Being. The
body of politics is completely contradictory and deliberately
confusing in order to stir up fear and confusion and economic chaos
so that the most deviously cunning can steal economic advantages and
a higher emotional domineering status. Politics is put together by
deceit. And so long as the Emotional-Being is divided, it is limited
to its own nature. If that nature is blind to itself, whatever it
creates is of that very same essence. So when it fabricates “love”,
it is born out of hate. So it is not actual Love (which is whole).
The “artificial love” born of an Emotional-Being that is divided
into a “false light” of “goodness” through violence is the
ancient curse of Mankind. That curse can only dissolve upon awakening
to the realization that these stories are the guidelines to
maintaining the ancient curse of being forever entombed in a
psychological lie: Freedom through conflict (which is what happens
whenever you emotionally choose a side, because you are dividing the
Emotional-being). Where there is division, there is conflict,
disintegration and overall instability.
16.
Emotionally,
most of Humanity is chasing its tail in order to eat it. In watching
the movies, I see that they ALL tell one emotional story about
DIVISION & CHOICE! The stories weave an emotional journey of
moving away from an emotional state of being while struggling to
capture its “ideal of happiness”. “Emotional-Ideals” are
unreal; they are merely a pretense. “Believing” means taking to
be true something that is made-up. It is a pretense, which is what
Theater is about. The great hoax about Theater is that it pretends
that what it is enacting is just harmless entertainment. Theater
entertainment proclaims to being benevolent by helping Humanity to
escape from our emotional disturbances; it is helping us to numb
ourselves to our uncomfortable thoughts and feelings. We are expected
to assume that in escaping from emotional pain that it will improve,
uplift or enlighten our lives is a LIE!
17.
Entertainers
are liars whose entire lives is a lie. They pretend so much that they
don't know what it's like not to be pretending. They are pretending
to themselves that they are not pretending in their personal
relationships. Once the mind starts emotionally pretending, it is
rare that it can ever stop. It has grown too accustomed to pretending
that it fears ending. For them, “Truth” is viewed as a poison.
That is because “The Pretender” exists in emotional darkness
(meanwhile pretending: “to live in the light”). The repetition of
emotional slogans, dogmas or political rhetoric is the initiation of
material devastation. Entertainment preys upon our emotional fear of
being nothing or nobody, which drives one into emotionally identify
with an icon in order to escape from its feelings of emptiness and
despair.
18.
Our
emotional-consciousness is the whole of Mankind. It operates out of
its emotional imagination. This imagination compares itself against
others (starting with its parents). Then it becomes an ego by
choosing to be the opposite of its parents, in order to pretend to
itself that it is not its parents. We are all our parents, like it or
not. Whenever the conscious part of the mind rejects an emotional
quality, that rejected emotion gets stored in the basement of its
mind (its subconscious). So all of the characteristics of your
parents that you reject becomes your subconscious mind that your
conscious mind ignores (by pretending that the qualities of its
parents that it rejected just simply vanished into thin air). People
contradict themselves by saying and doing the opposite of what they
consciously speak to others because their subconscious wants to carry
out all things that its conscious mind despises. Most people are like
a 2-headed snake (except each head denies being related to the other
head).
19.
In
dramatic romance stories, there is always a 3-way split in conflict.
Either you have the woman emotionally struggling between 2 men that
she desires (but they mistakenly call her feelings “love”). So
her personal battle lies between her conscious and subconscious
desires, which are at odds with each other. No matter which guy she
chooses, 1 side of her nature will suffer. The same holds true for
the man whenever his conscious and subconscious chooses 2 women that
are opposites in their nature. The movies reveals our dualistic
emotional split in us. As you watch a romance story, you can detect
your conscious favorite. Then, that means that your subconscious
“likes” the opposite” character that you did NOT choose to
emotionally favor. The hidden part of the mind is the strongest
because it is the part of the mind that the conscious mind seeks to
run away from into a falsehood that it emotionally elevates into its
“concept of the truth”. But, in the end, the negative-film
(subconscious mind) is the original
that can't be disposed of without its copy, the positive-photo
(conscious mind) being destroyed, as well. This is the reason why
somebody gets hurt or killed because the emotional division of lies
(i.e., seeking the illusion of peace, love or happiness) is the
foundation and the
building structure (health,
economics, biosphere) is gravely endangered.
Movies
or Theater Is The Content of Human Emotional-Being
20.
The
content of consciousness IS its consciousness. That consciousness
needs to empty its content by being completely aware of its
content and it movements. It
moves between its emotional-past & emotional-future (which is the
modified past). Theater projects THE EMOTIONAL-PAST modifying itself
and then projecting an illusion of a “new world” (born out of its
emotional-past). People are rewarded to keep the Grand Mental
Deception going. Actors are Human-Puppets hired to be the Pied Piper
leading our emotional consciousness into disintegration.
Because there is no actual relationship between these dead characters
in the movies. A dead thing cannot be in touch with itself. A dead
thing once existed and now it no longer exists. Memory about
emotional experiences is of the past happenings; that too is dead. A
dead thing can't go beyond its state of deadness. That is why a mind
that conjures up feelings from its past in order to change how it
feels in the present is detaching its emotional-self through
imagining itself to being different and taking shelter in that lie
(i.e., belief) that it continuously repeats to itself in order to
maintain that trance state that opposes its original state of being.
Therefore, at all costs, the Ego must remain blind to what it is
actually doing and pretend to itself that it knows what it is doing.
But, just look at all the disasters in the movies that this Ego
causes (and how it destroys its environment, too).
21.
Learning
through purely unbiased observation of The Ego (the Emotional-Being
that is hiding from seeing itself, completely) is a learning of the
supreme order of which most people are unaware. Even people with
degrees are in the dark where the Emotional-Mind is concerned. You
can know a lot of technical information, but none of that knowledge
has any relevance regarding The Ego. Ego is a monster that can't be
stopped by any amount of technological knowledge. Ego can only
naturally dissolve so that its Emotional-Being can function
Holistically and Rationally whenever it pays neutral-attention to
itself without trying to alter whatever it detects about itself. By
being in touch with the fact that is biased, it has gone beyond it.
Emotional states of mind naturally end whenever there is the freedom
to observe emotional responses without the interference of
“disliking” or “liking” the response. “Liking” and
“Disliking” an emotion is bias, division and self-destructive.
Just to be aware of that reality generates a new energy of order. In
that energy lies the answers to all the problems of living. So it's
unnecessary to emotionally rely upon other people that label
themselves as rulers or governors of our lives. Nobody needs to be
governed if their Emotional-Being is Whole unto itself. A Whole-Mind
can do no wrong or harm.
22.
Therefore,
the content of our Emotional-Being is naturally purged and
rejuvenated whenever we study the Whole Emotional-Being (both its
upper consciousness and lower subconsciousness). Theatrical dramas
are all about the perpetual emotional struggle between “good
(conscious)” & “evil (subconscious)”. When one realizes
that “good (conscious)” & “evil (subconscious)” are 2
sides of the very same psychological-coin, then the struggle ends,
naturally. The ideals and images that are opposing concepts against
the reality that seeks to overthrow the reality of emotional pain is
what keeps this divisive struggle going. Meanwhile it lies and
pretends that through the ultimate battle, it will finally be happy
at last. But, this never comes true. All that keeps happening is the
steady erosion of our health, environment and our lives. Theater
emotionally mirrors us!
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